The rattler has a reputation for bravery because it warns its victim before it strikes. The famous Revolutionary War flag depicting the rattlesnake and the slogan "Don't Tread On Me" probably expresses the sort of bravado that led 19th century men to use rattlesnake rattles (or gold facsimiles of them) as lucky watch fobs. It may also be as an emblem of bravery -- or as a remnant of African snake-worship -- that rattlesnake rattles are placed in hoodoo style conjure bags designed to produce gambling luck, especially by poker players, for whom a bluff or show of strength is part of the game.
My favourite use for rattlesnake rattles is the Appalachian fiddle-players' custom of placing them in one's instrument before entering a fiddle contest. Even folks who do not believe the rattles will help them win a contest may add a rattle to their fiddle to make it "sound better." In the South, rattlesnake rattles are sometimes placed in guitars for the same reason.
In 1999, James Beverly (firstname.lastname@example.org), who had purchased some rattles from me to use in his instruments, wrote with this information:
I just got back from the music festival in Owensboro, KY. A lot of elder (over 70) fiddle players from Appalachia were there and I asked about the rattlesnake rattles in the fiddles (which most had). Here were the responses:
1) All mentioned that the rattles inside "sang along" with the music giving it a better & sweeter sound.
2) One wonderful old gentleman from North Carolina said that his grandfather told him that "way back, the fiddle used to be a woman's instrument and putting the rattles inside 'masculinizes' it for men folk to play".
The origin of this belief is unknown, but some modern theorists have ignored the statements of old musicians regarding sound quality and opined instead that the smell of the rattlesnake which persisted in the rattle was originally intended to keep mice from nesting inside instruments.
Whatever the reason, this practice is quite commonly encountered, even to the present day.
To correspond with musicians about the folkloric use of rattlesnake rattles in fiddles, see Phil Campbell's Rattlesnakes and Fiddles page.
Because the rattlesnake sheds its skin, powdered whole rattlesnakes are used in Latin American folk-medicine involving skin diseases.
To cure eczema and boils: dry and powder the entire rattlesnake (some say just the skin, others say just the rattles) and sprinkle the powder on food; alternatively, use the powder to make a poultice and apply directly to the skin. (John O. West, "Mexican-American Folklore," August House, 1988)
In the African-American hoodoo tradition, powdered snake skin (Rattlesnake Dust) -- either from a snake that has been killed or from "sheds" that one finds -- is an important ingredient in a mixture called Goofer Dust. Some practitioners insist that the skin used in this compound must come from a rattlesnake; others prefer the skin of a king snake (because of its presumed mastery over other reptiles) or say that any species of snake will do. Additional ingredients in Goofer Dust are graveyard dirt, powdered sulphur, red pepper, black pepper, mullein, and a variety of other herbs. The mixture is used to jinx, cross, trouble, mess up, or even kill one's enemies.
The typical hoodoo logic of "reversing bad luck" further leads to the use of the Rattlesnake to cure a "crazy" spells that have been put on someone. For a detailed eyewitness account of such a cure, performed in 1929 with Rattlesnake Dust and Adam-and-Eve Root, see the web page on the famous root worker Aunt Caroline Dye. For a couple of simple African-American spells using Rattlesnake Skin to ward off evil, see the web page on protective magic spells collected in the 1930s by Harry M. Hyatt.
Rattlesnake salt is made by chopping up a Rattlesnake (rattles and all) and placing it in a container of salt. After six months the dried meat is discarded and the "rattlesnake salt" is ready for use.
To prolong life: sprinkle rattlesnake salt on the food you eat, at least once a day. (ibid.)
Despite the name of the product, "Incienso Marca-Brand Esperma de Vibora de Cascobel" is not incense per se, it is "rattlesnake salt" -- and the Spanish name ("Incense *Brand* Rattlesnake Sperm") indicates that the manufacturer was aware of the fact that the appropriated English label did not accurately describe the contents.
The two parts consist of packages of coloured rattlesnake salt, one off-white and the other coral-pink, which are to be used in (forgive my rusty Spanish translation) "rituals of Santeria, budu (voodoo), magical healing both black and white, spiritual healing, cleansing, and purification." A page of text inside the box explains that rattlesnake salt cures "hysteria, excessive wrath, mental illness, symptoms of insanity, uncontrollable tremors, phobias, delusions of grandeur, feelings of worthlessness, fantasies of persecution, and diabolical possession." A side-panel label on the box adds that rattlesnake salt will also protect one from envy and will prevent fights from breaking out in one's place of business or work.
The instructions given on the text-sheet call for the practitioner to lay the two colours of rattlesnake salt out in the doorway in a sort of sand painting depicting two S-shaped rattlesnakes and then to burn a black candle and a white candle on their respective heads, recite a lengthy prayer to "The Adorable Tetragramaton," extinguish the candles, sweep up the salt, and discard it at a crossroads.
"Alleged Rattle Viper Sperm Incense" is still manufactured, and although the label is different now (see the picture), the product is much the same as it has always been; still a mineral salt product inexplicably sold as an "incense."
Snake Oil is an old-time standard muscle and joint rub for sprains and osteoarthritis. Snakes are supple, so there is a magical component to the remedy, in that Snake Oil is the liquified fat of snakes. In America, there is a special tradition of making Snake Oil from from the fat of Rattlesnakes, a North American species of great traditional importance, but in actuality, the fat of any snake may be employed.
Snake Oil may be used straight, in the form of melted snake fat, as a rub, but its effectiveness is increased by formulating it to make a liquid liniment, with the addition of Turpentine, menthol (Mint Oil), capsicum (Red Pepper Oil), and/or Camphor Oil, all of which are topical analgesics and counter-irritants.
False Snake Oil, made with mineral oil or petroleum jelly in lieu of Snake fat, was sold as early as the 19th century in America. Formulas that substitute petroleum jelly or mineral oil for snake fat or snake oil resemble Tiger Balm Red, Tiger Balm White, Tiger Balm Liniment, Po-Sum-On Liniment, and other Chinese Traditional Medicines.
In one popular dictionary, Snake Oil is defined as "a product, policy, etc. of little real worth or value that is promoted as the solution to a problem.” True Snake Oil, especially in the form of a liniment, does not deserve the bad reputation given to it by its false imitations, nor the reputation for being invariably bogus that was given to it by allopathic pharmaceutical companies that devalue naturopathic remedies to increase their own sales. The fact that there is a dictionary definition of Snake Oil that refers to such a useful and traditional analgesic rub as inherently phony is a sad commentary on the programmatic commercial interests behind those who write our dictionaries.
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